
born: 11/11/52; Helsinki,
Finland.
authored:
_ANGEL TECH: A Modern
Shaman's
Guide To
Reality
Selection_ (New Falcon 1986); _ALL RITES REVERSED: RITUAL TECHNOLOGY
FOR SELF-INITIATION_ (New Falcon, 1987); _THE
AKASHIC
RECORD PLAYER_ (New Falcon, 1988); _A MODERN SHAMAN'S GUIDE TO A PREGNANT
UNIVERSE_
(New
Falcon, 1988); _ASTROLOGIK_ (Vigilantero,1990); _LETTERS, ESSAYS, PREMONITIONS_
(Vigilantero, 1993); _THE VERTICAL
ORACLE
(Vertical Pool, 1997)
plays written, directed &
produced:
_CIRCLES_ (1976); _CORONATION
AT STILLNIGHT_ (1977); _THE CONJUNCTION_ (1978); _AS THE WORM TURNS: A
Psychic Soap Opera_ (1979);
_CHAPEL
PERILOUS_ (1982); the previous work produced in Berkeley, CA; _AS THE
WORM TURNS: A Radio Play_ (1986; Boulder, CO); _HUNGRY GHOSTS_ (1998; Seattle
WA)
mediamaker :
(docudramas, documentaries,
shorts & *features by A. Alli)
*_REQUEIM FOR A FRIEND_
(1990), _ARCHAIC COMMUNITY_ (1991), _MASS OF THE ICONOCLASTS_ (1992), _BOMBS
& PRAYERS_ (1992), _BLACK SEA_ (1992), *_THE ORACLE_ (1993), _THE COUPLE
NEXT DOOR_ (1993), _LIVE! AT THE PUSS PUSS CAFE_ (1994), _THE COLD
FORCE_
(1994), _THE WORD, WEIRD_ (1994), *_THE DRIVETIME_ (1995), *_LILY IN LIMBO_
(1996) & others
music and audio production:
_THE FROZEN BEAUTIES: A
new wave punk band_ (
1980;
lyrics & guitar; Berkeley CA); _SEXUAL ENERGY MEDITATIONS, EARTH ENERGY
MEDITATIONS_ and _PSYCHIC ENERGY MEDITATIONS_ (Sounds True, 1988) _BABES
IN THE ABYSS: Original Solo Piano_ (1990; recording; Seattle)
ritual and theater director:
ParaTheatrical ReSearch
(since 1977): an ongoing exploration of how theatre, ritual, poetry, music
and spirituality coincide and collide in non-performance, as well as
performance, mediums; a
process
that rearranges itself over
time
for different groups and purposes.
columns & essays featured
in:
_DETAILS_, _ATTITUDE_, _WHOLE
EARTH REVIEW_, _MOUNTAIN ASTROLOGER_, _PLANET EARTH_, _MEZLIM_, _QUEST_,
_MAGICAL BLEND_,
_GREEN
EGG_, _NEW
MOON
RISING_, _HECATE’S LOOM_, _TOWARDS
2012_
& many others.
editor/publisher:
_TALKING RAVEN QUARTERLY:
A Journal of
Imaginative
Trouble_ (1991-95, Seattle WA); VIGILANTERO PRESS (1986-93; Boulder CO
and Seattle WA)
If
information
was no longer the known statistics of dead data but fresh experience --
spontaneous, unknown and alive -- then twentieth century culture began
with its creative assimilation. What the scientist finds out through thinking,
the artist discovers through new ways of perceiving, hearing and feeling.
While
Einstein
made scientific history with his theory of relativity and Heisenberg with
his
uncertainty
principle, the
Surrealist
"dada" revolution (Dali, Cocteau, Satie, etc.),
James
Joyce's omnicultural _Finnegans Wake_, and the music of Jazz brought
the living experience to the people. Both scientists and artists recognized
this dynamic shift from a "
reality"
that was once "predictable, solid and set" to one that seemed wilder, more
plural, malleable and unfathomable. To those minds awakening from the slumber
of nineteenth century "certainty"
trance,
our so-called "reality" entered the realm of immeasurable possibilities
with countless interpretations. Any culture failing to assimilate this
transformation in
perception,
never enters the twentieth century let alone, the twenty-first.
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[...]
The very spirit of imagination
demands the redefinition of intelligence, if only to begin thinking like
twentieth century brains, instead of eighteenth or nineteenth century ones.
Intelligence thrives on information. Before the twentieth century the most
widely accepted and scientific definition of "information" was the common-sense
process
of accumulating known data; knowledge was inert, predictable, and easily
categorized. The universe, or so it was thought, could be mapped out in
surgical precision like some deux machina that followed understandable
laws. How many of us still think this way ?
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At the turn of the twentieth
century, Einstein, Heisenberg, and Schroedinger, amongst others, turned
the world of intelligence on its ear; the world, according to the new physics
and
quantum
mechanics, is infinitely more mysterious and strange than ever previously
imagined. One outcome of this important update was the redefinition
of what constituted "information." In light of living in a universe of
greater
uncertainties,
information was redefined as "the unpredictability of a message". This
means, the more unpredictable the message, the more information there is
in it. At this point, author
William
Burroughs' axiom from _NAKED LUNCH_ "Nothing is true; everything is
permitted" might've made terrible sense to the
cutting
edge scientific community.
[...]
On one end of the chronological
spectrum,
time
is not money; it is the measure of your life, as in "the time of your life."
The measurement of nature -- the thirteen
lunar
cycles, the
solar
eclipses, the seasonal shifts -- is as close as it gets to "galactic" time,
the time which knows no beginning or end but a metamorphosis of duration.
At the other extreme, there's the 60 second/60 minute/12 month manmade
organization of available time into measurable bits and pieces, usually
connected with the punch-clock of employment; time as commercial regulation.
- Antero Alli -
_Occulture: The Secret Marriage of Art and Magick_
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Meanwhile, back at the foot
of Ayer's Rock (
Uluru),
thousands of whites and blacks gather around to hear the invocation of
a chief aboriginal elder. "This is the working of the ceremony to save
the
green
ants, the aboriginal people and the dreamtime that holds the world together.
The white people are too young to know this and too old to understand.
Yet, you must listen to these words now and hear with your hearts, the
singing of the mountain. The mountain sings. It sings like it has never
sung before...it is singing now for you...for us...for every living creature
on this beautiful Earth. The mountain sings its first and last song. The
music comes from far, far away yet it is inside you...inside the mountain...inside
the trees...inside the rising
sun...inside
the stars...inside the little pebbles in the river... inside the kangaroo...inside
the green ants...inside your mother...inside your father...the song is
singing by itself inside every living thing. Now, the mountain sings to
keep the world alive. When you hear the song inside your hearts, sing back
to the mountain. Sing back to the mountain...sing back to the mountain..."
To the backdrop soundtrack
of a hundred dijeridoos and clapsticks, thousands of people sound a rainbow
chorus of tones, chants and melodies...
cadencing
into an aural patchwork of multitudinous wordless song.
[...]
As humans endure the multi-faceted
awareness of simultaneously converging
information
sources, they learn to dial and fine tune those
frequencies
appropriate to the concerns of the time and place they are in. With persistence,
the development of a
reality
selection circuit (in the
Central
Neural System) encourages High-Velocity Interaction with other humans
by virtue of tolerance. (As humans distinguish and qualify various levels
within their own being, they tend to tolerate internal contraries thus,
vicariously allow for differences in others).
- Antero Alli -
_Akashic
Record Player_
- Antero Alli
- Antero Alli - _World
Entertainment
War_
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- Antero Alli