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Hopi
Hopi (ho´pê)
noun
plural Hopi or Hopis
1. a. A Pueblo people occupying
a number of mesa-top pueblos on reservation land in northeast Arizona.
The Hopi are noted for their sophisticated dry-farming techniques, a rich
ceremonial life, and fine craftsmanship in basketry, pottery, silverwork,
and weaving. b. A member of this people.
2. The Uto-Aztecan
language
of the Hopi.
[Hopi hópi, peaceable,
a Hopi.]
Hopi
Hopi, PUEBLO people of the Southwest
who occupy several MESA pueblos in NE Arizona, numbering 11,173 in 1990. Most
speak Hopi, a Uto-Aztecan language. Geographically isolated, they resisted European
influence more than other Pueblo tribes and participated in Popé's revolt
(1680) against the Spanish. In the 1820s the NAVAHO began to encroach on their
lands. Sedentary farmers and sheep herders, they retain clan structure and rituals,
including the
Kachina
ceremony and snake
dance;
at the same time, the Hopi have a high level of education. In 1975 the federal
government began procedures to separate Navaho and Hopi lands, requiring several
thousand Navahos to relocate but also assigning some formerly Hopi territory
to the Navaho. A court decision in 1992 assigned most of the land still in dispute
to the Navaho.
If you went straight through the Hopi Reservation to the
other side of the world, you would come out in
Tibet.
The Tibetan word for
sun
is the Hopi word for
moon,
and the Hopi word for sun is the Tibetan word for moon.
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"When the iron eagle flies and horses run on wheels, the Tibetan people will be scattered over the earth and the dharma will go to the land of the red man." --Tibetan Prophecy
"When the iron bird flies, the red-robed people of the East who have lost their land will appear, and the two brothers from across the great ocean will be reunited." --Hopi Prophecy]
- Lee Brown, Cherokee
The Elders of the Native American Hopi nation say that the Earth's surface is like the back of a spotted fawn. As the fawn grows, the spots move and change number. Similarly, every time the Earth Mother sings a new song or enters a new vibrational shift, Her power centers also change to a new configuration, interconnected by a more complex sacred geometry.
The Hopi also have prophesied that "Turtle Island could
turn over two or three times and the oceans could join hands and meet
the sky." This seems to be a prophecy of a "pole shift" -- a flipping,
of the planet on its axis. The Hopi call this imminent condition -- and
that of society today -- "
Koyaanisqatsi",
which means "world out of balance...a state of life that calls for another way.
"
In [ the unified "patterned whole"
mode, as opposed to the mode of seeing things as a linear sequence, ] all action
occurs in an
infinite
present. There is no attribution of causality or construction of sequence. All
events occur simultaneously.
Although linear, analytic
thought forms the basis for a complex, technological society, other societies
have developed around the present-centered mode. It is the conflict between
these two modes of consciousness that has caused much cultural and personal
misunderstanding. A Westerner may wonder what the
Zen
monk is talking about when he speaks of "no
time"
existing. We wonder why a person from India cannot seem to build a bridge
on time.
Yet this question is
relevant
only within our particular constuction of
reality,
not in the nonlinear mode, although the ability to switch and to employ
each mode in appropriate situations is quite important. Consider
the Trobrianders, a culture that Dorothy Lee reports as based on nonlinearity
and on present-centeredness. To take an example similar to that of firewood
and ashes: When we ordinarily view the
process
of the maturation of a plant (for example, a yam), we see a sequence. We
experience the 'same' yam turning from ripeness to overripeness in sequential
time. The Zen monk does not share our view, nor does the Trobriander. The
ripe yam ( which in the
language
of the Trobriander is called 'tatyu') 'remains' a ripe yam. When an overripe
yam appears, it is a different entity, not casually or sequentially connected
with the ripe yam. It is another entity entirely and is given another name,
'yowana'. There is no temporal connection between events in the world of
the Trobriander, in Lee's words, "no tense, no distinction between past
and present.... What we consider a causal relationship in a sequence of
connected events is to the Trobriander an ingredient in a patterned whole."
The temporal
dimension
is one key in a more complete science of consciousness. The recognition
that the linear mode of
time
is but 'one' possible construction brings to consideration other modes
of temporal experience, those associated with phenomena outside the range
of the normal. For us, an event is considered "paranormal" if it does not
fit within the coordinates of ordinary linear time. But if linear is but
one possibility, these unusual events, unusual communications, may in fact
occur, even though they cannot be charted in the coordinates of linearity.
The laws that govern such experiences may not be those that govern normal
consciousness: The experience of the night is not that of the day.
The nonlinear mode is a daily
part of the experience of each person. It is deliberately cultivated in
"mystical" tradtions as a complement to ordinary consciousness. It is sometimes
brought about by the administration of consciousness-altering drugs. It
is the dominant cultural mode of the Trobriander and of the Hopi Indian.
It is a mode associated with the intuitive,
holistic side of ourselves."
- Robert Ornstein, "The Psychology of Consciousness"
The southwest's most intriguing
natives, the Hopi, have always claimed that their sipapu (place of emergence
from the
underworld)
is in the
Grand
Canyon. They say their ancestors went underground to live with "the
ant people" when the great flood wiped out the last world. Later, they
emerged through the sipapu to begin their lives and migrations in the present
world. The many circular
kivas
found in
Anasazi
ruins are said to be symbolic of this emergence, i.e. underground ceremonial
chambers with a roof entrance/exit, still called the sipapu.
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Hopi Clowns
The sacred clowns of the Hopi have a unique function in their society and the religious right to enact by negative example what should not be done. Humiliation and ridicule are their methods, and no one is immune to their rudeness. Stripping another naked is not going too far. Misbehavior of people in the community is dramatized, and the culprit takes the hint.
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The clowns are the ultimate tradition keepers. If work needs to be done the clowns recruit the workers. They cannot be denied.
White ways, such as money, missionaries, and teachers sent to the Hopi have been the subject of the clowns' derision.
In the 1960's an unusual
drama was inspired. An eerie sound was made by twirling a piece of hose,
and two aluminum pie tins were thrown over the houses. The clowns came
down from the clouds (over the rooftops) dressed in shiny silver and painted
green,
demanding to be taken to the leaders. All this was done to make fun of
a leader at a nearby village who was making a public uproar about
UFO's.
-infostream c/o Tessa X-
Parallels Between The Hopi
&
Sumerian
Cultures
by Robert Morningsky