
cartoon
cartoon (k?-t?n?) noun
1.A drawing depicting a
humorous situation, often accompanied by a caption.
2.A drawing representing
current public figures or issues symbolically and often satirically: a
political cartoon.
3.A preliminary sketch similar
in size to the work, such as a fresco, that is to be copied from it.
4.An animated cartoon.
5.A comic strip.
verb
cartooned, cartooning, cartoons
verb, transitive
To draw a humorous or satirical
representation of; caricature.
verb, intransitive
To make humorous or satirical
drawings.
[French carton, drawing,
from Italian cartone, pasteboard. See carton.]
- cartoon?ish adjective
- cartoon?ist noun
Cartoon
Cartoon, humorous, satirical,
or opinionated drawing, typically one printed in a newspaper or magazine,
with or without a short text. The term cartoon originally was used in the
fine arts for a drawing made on paper in preparation for and in the same
size as a painting, fresco, tapestry,
mosaic,
or piece of stained glass. The word's meaning changed in the 1840s, when
the English magazine Punch parodied fresco designs for the new Houses of
Parliament in London.
Types of Cartoons
Editorial cartoons, also referred to as political
cartoons, serve as a visual commentary on current events. Usually satirical
rather than merely humorous, they may communicate the political viewpoint
of the cartoonist or add depth to an editorial opinion article in a newspaper
or magazine. Gag cartoons- which consist of a single panel- usually make
fun of types or classes of people rather than lampooning individuals. They
are often found in magazines and on greeting cards. Illustrative cartoons
are used in conjunction with advertising or learning materials. They illuminate
important points, highlight special aspects of a new product, or give visual
representations of
processes
to reinforce an advertisement or educational text.
A comic strip, or comic, is a sequence of cartoons that tells a story. Comics usually chronicle the lives of recurring characters, and sometimes humor arises from the reader's familiarity with a particular character. Dialogue is usually present in balloons, as encircled words issuing from a character's mouth, within the panels of the cartoon. Each comic strip may recount a self-contained episode, or it may contain part of a continuing story. Animation is the process of recording a series of incremental drawings and then playing it back to create the illusion of continuous motion. Animation toys, such as flipbooks, have been used for centuries. Film animation was introduced as a cartoon genre at the beginning of the 20th century, with the invention of motion pictures.
Historical Roots
In 16th-century Germany,
cartoons in the form of broadsheets or broadsides (single cartoons printed
on large pieces of paper) began to be posted in public places with the
intent
of swaying people's beliefs. During the 18th century English painter and
engraver William Hogarth launched the idea of pictorial storytelling- similar
to that of a comic strip. In England during the late 1700s and early 1800s,
thousands of broadsheet caricatures- essentially editorial cartoons- were
produced, addressing the fashionable follies, political gossip, social
scandals, and major issues of the day.
As periodicals commonly began including illustrations in the 19th century, the editorial cartoon became a staple of journalism, dealing with a great variety of issues. In the United States, Thomas Nast began using his cartoons to lobby for or against specific causes. His best-known works include those about the American Civil War (1861-1865), in which he campaigned against slavery and for the Union states. In the 1830s and 1840s Swiss artist Rodolphe T?ffer began drawing his so-called engraved novelettes, creating the predecessor to the modern comic strip. T?ffer's small albums of continuous strips, which featured characters in fantastic and nonsensical plots, were instant successes and were imitated in France and England.
While editorial cartoons continue to grow in popularity and to influence people's opinions on politics and society, the 20th century has been dominated by animated cartoons, the gag cartoon, and comic strips. French artist ?mile Cohl is credited with creating the first animated films. Many animated films used existing comic-strip characters in their story lines, but Walt Disney, William Hanna, Joseph Barbera, and other American animators created original characters- for example, Mickey Mouse and Bugs Bunny.
The gag cartoon was popularized by the New Yorker magazine (1925- ), which began publishing witty cartoons with one-line captions or cartoons with no caption at all. The first daily comic strip appeared in the United States in 1904, and daily strips soon became a regular feature of most major newspapers, eventually filling a whole page each day. In 1933 advertisers began to produce books containing reprints of comic strips to give away with certain merchandise. Comic books later acquired original stories. "Superman" (1938- ) is the most famous early title.
Beginning in the 1960s, poster cartoons began to appear,
usually as a means of communicating political protest. A massive poster campaign
against the Vietnam War (1959-1975) helped to mobilize numerous activists in
the United States. The radical culture of the period spawned a genre known as
underground comics (or underground comix), which explored previously forbidden
subjects- for example,
psychedelic
drugs, sexual freedom, and radical politics. In the 1980s and 1990s many mainstream
comic strips began addressing controversial issues, and some comics generated
criticism for their treatment of political topics.
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Cartoons and Drawing
There is a relationship between
cartooning and people like Mir·and Picasso which may not be understood
by the cartoonist, but it definitely is related even in the early Disney.
Roy Lichtenstein (b. 1923),
U.S. pop artist. "Talking with Roy Lichtenstein" (published in John Coplan,
Lichtenstein, 1972). Quoted in: Lawrence Alloway, Lichtenstein, ch. 3 (1983).
Breathed, Berkeley
Breathed, Berkeley (1957- ), American cartoonist, creator of the comic strips "Bloom County" and "Outland," which combine silly humor with social commentary. He won the Pulitzer Prize for cartooning in 1987. Breathed was born in Encino, California, and studied journalism at the University of Texas at Austin. "Bloom County" features a penguin named Opus and a variety of human characters. In 1989 Breathed replaced "Bloom County" with "Outland."
cartoon (noun)
copy: malicious copy, distorted image, caricature,
cartoon, travesty, take-off, spoof, lampoon, mockery, parody, ridicule
film: cartoon, animated cartoon, travelogue, documentary,
docudrama, feature film, cin?a v?it·/FONT>
broadcast: cartoon, claymation, film, cinema
representation: design, blueprint, draft, rough
draft, cartoon, sketch, outline, plan
picture: sketch, outline, cartoon
picture: cartoon, caricature, silhouette
wit: cartoon, comic strip, caricature
satire: parody, burlesque, travesty, caricature,
cartoon, misrepresentation
Larson, Gary
Larson, Gary (1950- ), American
syndicated cartoonist, known for his offbeat humor. Born in Tacoma, Washington,
Larson was an avid reader of comics as a child. After graduating from Washington
State University in 1972, he played jazz guitar and banjo in local nightclubs
and then worked in a music store for several years before concentrating
on drawing. In 1979 he showed his work to the San Francisco Chronicle newspaper.
This soon led to a syndication contract for a regular cartoon feature called
"The Far Side." Internationally popular, Larson's cartoons have been published
in more than 17
languages.
Although he retired in 1995, his previously published cartoons continued
to be syndicated.
Groening, Matt
Groening, Matt (1954- ),
American cartoonist, creator of the comic strip "Life in Hell" and the
cartoon family the
Simpsons.
Born in
Portland,
Oregon, Groening moved to
Los
Angeles in 1977, where he recorded his reactions to the city and to
life in the comic strip "Life in Hell." In 1981 the comic went into syndication,
after which several collections of his cartoon strips were published. In
1987 Groening created the Simpsons, a cartoon family featuring an outspoken
son, Bart, to appear as part of a comedy show. The separate television
show entitled "The Simpsons" premiered in 1990.
Communications and Media, 1931
"Felix the Cat" by Otto Mesmer makes his first appearance as a comic strip drawn by Pat Sullivan. The cat has appeared in animated cartoons since 1919.
Communications and Media, 1918
"Believe It or Not!" is published for the first time by New York Globe sports cartoonist Robert LeRoy Ripley, 24, who sketches figures of men who have set records for such unlikely events as running backward and broad jumping on ice. Encouraged by reader response to pursue his quest for oddities, Ripley will move to the New York Post in 1923, syndication of his cartoons will begin soon after, and "Believe It or Not!" will eventually be carried by 326 newspapers in 38 countries.
Cartoons and Drawing
In the final analysis, a
drawing simply is no longer a drawing, no matter how self-sufficient its
execution may be. It is a symbol, and the more profoundly the
imaginary
lines of projection meet higher
dimensions,
the better.
Paul Klee (1879-1940), Swiss
artist. The Diaries of Paul Klee 1898-1918, no. 681 (1957; tr. 1965), entry
July 1905.
Food and Drink, 1906
The "hot dog" gets its name from a cartoon by Chicago cartoonist Thomas Aloysius "Tad" Dorgan, 29, who shows a dachshund inside a frankfurter bun.
The
Japanese,
who used to be just about the fiercest people on earth, have become infatuated
with cuddly adorable cartoon characters.
-
Neal
Stephenson - _In The Beginning Was The Command Line_
the
peyote
scene in the film _Beavis & Butthead Do America_
- what's with the
psychedelic/animation
connection? toon town at
Disneyland
on
mushrooms
is completely UNREAL. the entire theme park was made for mushrooms.
all the kiddie rides make sense when you are an adult. and what's up with
scooby
doo and scooby snacks? and the always hungry tweaker shaggy and the
psychedelic van where only THEY can see ghosts and goblins? why does everything
from Edgecore and
Psy-Harmonics
sounds like a soundtrack for a cartoon? - @Om*
12/3/99
references from release _Paul's
Boutique_ (1989) by
Beastie
Boys
film
_The
Matrix_ (vhs/ntsc)
(1999) When Neo is calling to get extracted from the Matrix, he says, "Mr.
Wizard
get me out of here," a reference to the 1960's cartoon _Tooter Turtle_. Each
episode, Tooter would yearn to be something he wasn't and have his friend Mr.
Wizard (a lizard) wave his magic wand and make him an astronaut or a scientist
or whatever. Inevitably, Tooter would quickly get himself into trouble
and call out "Help Mr.Wizard," and the lizard would intone "Drizzle, drazzle,
druzzle, drome,
time
for this one to come home." Tooter would be transported back to his old
self and be chided by Mr. Wizard to "be happy with what you are."
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Thinking more of what they can't
explore, like
the cartoon Donald Duck is giving
fellatio on the floor
- track _Dr. Octagon_ by
Dr.
Octagon off of _Dr. Octagynecologyst_ CDb
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