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Dragons
This nOde
last updated December 30th, 2006 and
is permanently morphing...
(5 Caban (Earth) / 10 K'ank'in - 57/260 -
12.19.13.16.17)

dragon
dragon (dràg´en)
noun
1.A mythical monster traditionally
represented as a gigantic reptile having a lion's claws, the tail of a
serpent, wings, and a scaly skin.
2.a. A fiercely vigilant
or intractable person. b. Something very formidable or dangerous.
3.Any of various lizards,
such as the Komodo dragon or the
flying
lizard.
4.Archaic. A large snake
or serpent.
[Middle English, from Old French, from Latin draco, dracon-, large serpent, from Greek drakon, perhaps from derkesthai, to look.]
Dragon
Dragon, legendary reptilian
monster with wings, huge claws, and fiery breath. In some folklore the
dragon symbolizes destruction and evil. In the sacred writings of the ancient
Hebrews, and later in Christianity, the dragon frequently represents death
and evil. In certain mythologies, however, such as those of the ancient
Greeks and Romans, the dragon possesses powers of good. Partially as a
result of the conception of the monster as a benign, protective influence,
and partially because of its fearsome qualities, it has been employed as
a military emblem by many different cultures over
time.
The dragon also figures in the mythology of various Asian
countries. It is deified in
Taoism
and was the national emblem of the Chinese Empire. It is regarded as a symbol
of good fortune in the Chinese tradition.
Dragons are one of the few symbols
that are universally found in all societies.
Jungian
psychology incorporates the symbol of the dragon into its
archetype
symbolism.
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The dragon is multidimensional,
in fact, dragons have been known to be trans-
dimensional,
vibrating from one dimensional plane to another.
In certain mythologies, the dragon is generally credited with beneficent powers. The ancient Greeks and Romans believed that dragons had the ability to understand and convey to mortals the secrets of the earth. The Roman legions adopted the dragon as the symbol to be carried on its standards into battle by its cohorts.
The folklore of the pagan tribes of northern Europe contained both beneficent and terror-inspiring dragons. In fact, one of the principle episodes of Beowulf deals with the hero killing the dragon.
The ancient Norse men adorned
the prows of their ships with the heads of Dragons. The
celtic
tribes and ancient conquerors of Britain considered the dragon a symbol
of sovereignty. The dragon was also depicted on
the battle standards and
shields of invading Teutonic tribes.
In Western cultures, the dragon was often considered an evil figure; probably a hand-over from its Hebraic-Christian roots, where the dragon was almost continually pictured in such books of the Bible such as Revelations and other apocalyptic literature, as the embodiment of sin.
In Christian art, the dragon is often seen as being crushed under the feet of saints and martyrs, symbolizing the triumph of Christianity over paganism.
In Eastern cultures the dragon is
more generously treated. In
Taoist
traditions the dragon is often deified. The dragon was the symbol of the
Chinese Empire, and among Chinese the dragon is regarded as a symbol of good
fortune.
In his book, _The Dragons of Eden_,
Carl
Sagan proposed that one of the reasons that we seem to fear dragons is that
our proto-human ancestors retained this fear of reptiles and
dinosaurs
in their
DNA
make-up. And this fear has been transmitted from one ancestor to another.
Freud and Darwin also spoke of dragons and their impact on our
dream
states.
In both the European and Chinese
cultures, the Serpent or Dragon is said to reside somewhere 'below the earth';
it is a powerful
force,
a
magical
force, which is identified with mastery over the created world; it is also a
power that can be summoned by the few and not the many. ... The orgone of
Wilhelm
Reich is just as much Leviathan as is the
Kundalini
of the Tantric adepts and the power raised by the Witches. It has always,
at least in the past two thousand years, been associated with occultism and
essentially with rites of the forbidden Magic...and the
twisting,
sacred spiral formed by the Serpent of the
Caduceus,
and by the spinning of the galaxies, is also the same Leviathan as the spiral
of the biologists' code of life:
DNA."
Virtually every human culture has used the serpentine spiral in its art and
religious iconography, coiling into the center and returning upon itself, the
return from the labyrinth, the discovery of self, birth and death - the departure
from the womb of earth and the return to it.
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The human consciousness is
really homogeneous. There is no complete forgetting, even in death.
D. H. Lawrence (1885-1930),
British author. "Introduction to The Dragon of the Apocalypse by Frederick
Carter," in London
Mercury
(July 1930; repr. in
Phoenix:
The Posthumous Papers of D. H. Lawrence, pt. 4, ed. by E. McDonald, 1936).
Carter's book eventually appeared under a different title and without Lawrence's
introduction.
Astrology
We need not feel ashamed
of flirting with the zodiac. The zodiac is well worth flirting with.
D. H. Lawrence (1885-1930),
British author. "Introduction to The Dragon of the Apocalypse by Frederick
Carter," in London Mercury (July 1930; repr. in Phoenix: The Posthumous
Papers of D. H. Lawrence, pt. 4, ed. by E. McDonald, 1936). Carter's book
eventually appeared under a different title and without Lawrence's introduction.
Lawrence's approval of astrology, however, excluded "the rather silly modern
way of horoscopy and telling your fortune by the stars." His interest lay
in the study of the stars as myth and metaphor.
God
God is only a great imaginative experience.
D. H. Lawrence (1885-1930), British author. "Introduction
to The Dragon of the Apocalypse by Frederick Carter," in London Mercury
(July 1930, repr. in Phoenix: The Posthumous Papers of D. H. Lawrence,
pt. 4, ed. by E. McDonald, 1936). Carter's book eventually appeared under
a different title and without Lawrence's introduction.
Myth
Myth is an attempt to narrate
a whole human experience, of which the purpose is too deep, going too deep
in the blood and soul, for mental explanation or description.
D. H. Lawrence (1885-1930),
British author. "Introduction to The Dragon of the Apocalypse by Frederick
Carter," in London Mercury (July 1930; repr. in Phoenix: The Posthumous
Papers of D. H. Lawrence, pt. 4, ed. by E. McDonald, 1936). Carter's book
eventually appeared under a different title and without Lawrence's introduction.
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