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Ecstasy
This nOde
last updated June 10th, 2004 and is permanently morphing...
(8 K'an (Corn) / 7 Zots
(Bat) - 164/260 - 12.19.11.6.4)

ecstasy
ecstasy (èk´ste-sê)
noun
plural ecstasies
1.
Intense
joy or delight.
2. A state of emotion so
intense that one is carried beyond rational thought and self-control: an
ecstasy of rage.
3. The trance, frenzy, or
rapture associated with mystic or prophetic exaltation.
[Middle English extasie,
from Old French, from Late Latin extasis, terror, from Greek ekstasis,
astonishment, distraction, from existanai, to displace, derange : ex-,
out of. EXO- + histanai, to place.]
Synonyms: ecstasy, rapture, transport,
exaltation. These nouns all refer to a state of elated bliss. In its original
sense ecstasy denoted a
trancelike
condition marked by loss of orientation toward rational experience and by concentration
on a single emotion; now it usually means intense delight: "To burn always with
this hard, gemlike flame, to maintain this ecstasy, is success in life" (Walter
Pater). Rapture originally meant a being caught up in an emotional state, typically
involuntary and uncontrollable. In current usage rapture, like ecstasy, simply
means great joy: "Oliver would sit . . . listening to the sweet music, in a
perfect rapture" (Charles Dickens). Transport is the state of being carried
away by strong emotion: "Surprised by joy-impatient as the Wind/I turned to
share the transport" (William Wordsworth). Exaltation is a feeling or condition
of
elevated,
often excessively passionate emotion: "There are men in the world who derive
as stern an exaltation from the proximity of disaster and ruin, as others from
success" (Winston S. Churchill).
Ecstasy is not really part of the
scene we can do on celluloid.
Orson Welles (1915-84), U.S. filmmaker,
actor, producer. Interview in David Frost, The Americans, "Can a Martian Survive
by Pretending to be a Leading American Actor?" (1970).
Don't take offense, but if you think that MDMA is Amphetamine then I would avoid table salt if I was you (Sodium Chloride).
MDMA is related to speed, but they are definitely not the same COMPOUND, though they are chemically related.
Apparently some people are mis-informed about what MDMA is and is not.
I invite any of you to read E for Ecstasy by Nicholas
Saunders
http://ecstasy.org/e4x/
it is a very good reference and is well annotated.
Ecstasy (E, Adam, X, MDMA) is '3,4 Methylene-dioxy-N-methylamphetamine'
Quote:
"Many people believe that the name implies a mixture of
ingredients but this is wrong - just as
water
is not a mixture of oxygen and hydrogen although its molecule consists of oxygen
and hydrogen atoms. Like water, MDMA is a compound, not a mixture. So, although
the name contains the word 'amphetamine' and the law refers to MDMA as a 'psychedelic
amphetamine', MDMA contains no amphetamine. The amphetamine-like effects may
be related to dopamine release."
From
http://csp.org/nicholas/survey2.html
Nicholas Saunders
"Last year I took a 70 year-old
Zen
monk to a party. He was curious enough to overcome his dislike of the music
until his face lit up with a revelation. 'This is meditation!', he shouted above
the noise. Later he explained that the walking meditation he taught involved
being fully aware 'in the
moment'
without any internal dialogue separating actions from
intentions,
and that the same definition applied to the
dancers
all around him."

Books:
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"For art to exist, for any
sort of aesthetic activity or
perception
to exist, a certain physiological precondition is indispensable: intoxication."
--
Friedrich
Nietzsche,
Twilight of the Idols,
"Expeditions of an Untimely man"
Sadie
Plant on Ecstasy
"What really got me started
was the mystery of Ecstasy. MDMA has been around for most of
the twentieth century; it had moments of popularity in the '60s,
but it never became a culture until the late '80s." Why this
strange
time-lag,
given MDMA's
intense
pleasures -- euphoria, hyper-tactile sensuality, overwhelming feelings
of
trust,
intimacy, and affection?
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Beyond this, she sees Ecstasy and rave music as
training the nervous system and human sensorium in preparation for the
Internet
and
virtual
reality. In Writing On Drugs, she describes how ravers in the
raptures of Ecstasy feel "overwhelmed by their own connectivity," merging
not just with music and with the crowd but with machines too: the
sound-system, the dazzling lighting effects and lasers, and all the other
high-tech elements used to "engineer atmospheres." Melting what
Reich
called character armor, Ecstasy creates a kind of porous, permeable
ego that's supple and open to connection and
contact.
It's a
processthat
Plant describes as "positive self-destruction, a self-destruction without
death-wish."
"[Heavenly angelhood is] a tensely vital peace, and... a calm yet active ecstasy"
- Harold Bloom - _Omens
of Millenium: The Gnosis of Angels,
Dreams,
and Resurrection_
"It's for this reason that music
can be transcendent. For a few
moments
it makes us larger than we really are, and the world more orderly than
it really is. We respond not just to the beauty of the sustained deep relations
that are revealed, but also to the fact of our
perceiving
them. As our brains are thrown into overdrive, we feel our very existence expand
and realize that we can be more than we normally are, and that the world is
more than it seems. That is cause enough for ecstasy."
– Robert Jourdain - _Music, the
Brain, and Ecstasy: How Music Captures Our
Imagination_
film _The Doors_ (1991)
directed by Oliver Stone
Kyle McLachlan as Ray Manzarek:
"what happened to you out there in the desert?"
Val Kilmer as Jim Morrison: "ecstasy..."
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Multidisciplinary
Association for Psychedelic Studies
