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Evolution
because "revolution" implies going around in circles
This nOde
last updated July 15th, 2006 and
is permanently morphing...
(6 Muluc (Water) / 2 Xul (Dog) - 149/260 -
12.19.13.8.9)

evolution
evolution (èv´e-l¡´shen,
ê´ve-) noun
1. A gradual process in
which something changes into a different and usually more complex or better
form.
2. a. The
process
of developing. b. Gradual development.
3. Biology. a. The theory
that groups of organisms change with passage of time, mainly as a result
of natural selection, so that descendants differ morphologically and physiologically
from their ancestors. b. The historical development of a related group
of organisms; phylogeny.
4. A movement that is part
of a set of ordered movements.
5. Mathematics. The extraction
of a root of a quantity.
[Latin êvolútio,
êvolútion-, from êvolútus, past participle of
êvolvere, to unroll.]
- ev´olu´tional
or ev´olu´tionar´y (-she-nèr´ê) adjective
- ev´olu´tionar´ily
adverb
evolution
evolution (èv´e-l¡´shen),
the process in which the genetic makeup of a population changes over a
long period of time by such means as mutation, the results being the emergence
of distinctive characteristics and new species. This process, also known
as descent with modification, constitutes organic evolution. Inorganic
evolution deals with the development of the physical universe from unorganized
matter. Organic evolution conceives of life as having begun as a simple,
primordial protoplasmic mass from which arose, through time, all subsequent
living forms. The first clearly stated theory of evolution, that proposed
by Jean LAMARCK in 1801, included the inheritance of ACQUIRED CHARACTERISTICS
as the operative
force
in evolution. Subsequently (1858), Alfred Russel WALLACE and Charles DARWIN
independently set forth a scientifically credible theory of evolution based
on NATURAL SELECTION, focusing on the survival and reproduction of those
species best adapted to the environment. This theory had a profound effect
on scientific thought and experimentation. Although it has undergone modification
in light of later scientific developments, the theory of evolution still
rests on essentially the same grounds emphasized by Darwin, supported now
by research in GENETICS as well as by comparative anatomy, embryology,
geography, paleontology, and biochemistry. It has been challenged by those
believing in the creation theory of the universe.
Evolution
Man has lost the basic skill of the ape, the ability
to scratch its back. Which gave it extraordinary independence, and the
liberty to associate for reasons other than the need for mutual back-scratching.
Jean
Baudrillard (b. 1929), French semiologist. Cool
Memories,
ch. 5 (1987; tr. 1990).
Evolution
We live between two worlds;
we soar in the atmosphere; we creep upon the soil; we have the aspirations
of creators and the propensities of quadrupeds. There can be but one explanation
of this fact. We are passing from the animal into a higher form, and the
drama of this planet is in its second act.
W. Winwood Reade (1838-75),
English traveler, author. The Martyrdom of Man, ch. 3, "Materials of Human
History" (1872).
Evolution
The historic ascent of humanity,
taken as a whole, may be summarized as a succession of victories of consciousness
over blind forces-in nature, in society, in man himself.
Leon Trotsky (1879-1940),
Russian revolutionary. The History of the Russian Revolution, vol. 3, "Conclusions"
(1933).
Evolution
Biologically the species is the accumulation of
the experiments of all its successful individuals since the beginning.
H.
G. Wells (1866-1946), British author. A Modern
Utopia,
ch. 3, sct. 4 (1905; repr. in The Works of H. G. Wells, vol. 9, 1925).
Evolution
We are the products of editing,
rather than of authorship.
George Wald (b. 1906), U.S. biochemist.
"The Origin of Optical Activity," in Annals of the New York Academy of Sciences,
vol. 69 (1957).
The tactics of evolution are:
space
migration, intelligence increase, life extension
The goal of evolution is:
Fusion
(at higher levels of
intensity,
acceleration and aesthetic complexity)
-
Timothy
Leary - _Neuropolitique_
(1988)
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Whitehead's
phrase for evolution is "the creative advance into novelty." This
dance
is a never-ending dance that goes nowhere but is simply expressing itself. In
the postmodern age, we can let progress go and talk about
process
as a creative dance. That's what evolution is about. Evolution has no
point, no meaning, and no direction. It's just itself.
Darwinism stresses conflict and competition; that doesn't square with the evidence. A lot of organisms that survive are in no sense superior to those that have gone extinct. It's not a question of being "better than"; it's simply a matter of finding a place where you can be yourself. That's what evolution is about. That's why you can see it as a dance. It's not going anywhere, it's simply exploring a space of possibilities.
- Brian Goodwin
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Could be said to be the ultimate
software, once programmed it expands indefinitely, redeveloping its own structure
and evolution, designing new systems so that it can activate new forms of existence,
outgrowing its own limitations as it proliferates to new states of being.
The final program could also be the development of the finest organic computer
we at present know. The human brain whose limitless capacity we have never
harnessed, but whose possibilities are endless. The quest for the development
of evolution can move in two ways, outwards or inwards. The outward projection
seems to have progressed and developed more rapidly than the inward, eventually
if we are to succeed then the two must join. For eons this knowledge of
arcane connections has been employed in mythology and within occult science,
now we must go back to the beginning and develop the tool that gave us
light.
In a recent article on The Connection Machine - a new breed of parallel computers,
W.D. Daniel Hillis, graduate of
M.I.T.
and co-director of the Thinking Machine Corporation, says "The applications
worthy of a billion-processor machine are those that entail a radical change
in the way we think about computation. A parallel computer with a billion
processors might provide the basis for a computational utility analogous to
existing electric utilities. Just as a plant generates
electricity
that is transmitted to individual appliances, a huge parallel computer could
provide computational power to a city's worth of robots and workstations.
- liner notes from track _Final
Program_ by
Clock
DVA off of _Man-Amplified_ CD
on Contempo (1992)
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Evolutionary biologists consider
humans to be an unevolving species. Some time in the last fifty thousand years,
with the invention of culture, the biological evolution of humans ceased and
evolution became an epigenetic, cultural phenomenon.
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Tools,
languages,
and philosophies began to evolve, but the human somatotype remained the
same. Hence, physically, we are very much like people of a long time ago.
But technology is the real skin of our species. Humanity, correctly seen
in the context of the last five hundred years, is an extruder of technological
material. We take in matter that has a low degree of organization; we put
it through mental
filters,
and we extrude jewelry, gospels, space shuttles. This is what we do. We
are like coral animals embedded in a technological reef of extruded psychic
objects. All our tool making implies our belief in an ultimate tool. That
tool is the flying saucer, or the soul, exteriorized in three-dimensional
space. The body can become an internalized
holographic
object embedded in a solid-state, hyperdimensional
matrix
that is eternal, so that we each wander through a true
Elysium.
- Terence McKenna - _New Maps Of
Hyperspace_
collaboration: The
Shamen
and
Terence
McKenna on the track _Re:Evolution_ off of _Re:Evolution_ 12"
off of One Little Indian (1993) (as well as _Boss
Drum_):
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Liner Notes (from the
enclosed fold out poster):
If the truth can be told so as to be understood, it will be believed.
Human history represents such a radical break with
the natural systems of biological organization that preceded it, that it
must be the response to a kind of
attractor,
or dwell point that lies ahead in the temporal
dimension.
Persistently western religions have integrated into their theologies the
notion of a kind of end of the world, and I think that a lot of
psychedelic
experimentation sort of confirms this intuition. I mean, it isn't going
to happen according to any of the scenarios of orthodox religion, but the
basic intuition, that the universe seeks closure in a kind of omega point
of transcendance, is confirmed.
This is what
shamanism
is always been about, a shaman is someone who has been to the end, it's
someone who knows how the world really works, and knowing how the world
really works means to have risen outside, above, beyond the dimensions
of ordinary space, time, and casuistry, and actually seen the
wiring
under the board, stepped outside the confines of learned culture and learned
and embedded
language,
into the domain of what
Wittgenstein
called the unspeakable, the transcendental presense of the other, which
can be abstracted, in various ways, to yield systems of knowledge which
can be brought back into ordinary social space for the good of the community.
So in the context of ninety percent of human culture, the shaman has been
the agent of evolution, because the shaman learns the techniques to go
between ordinary reality and the domain of the ideas, this higher dimensional
continuum that is somehow parallel to us, available to us, and yet ordinarily
occluded by cultural convention out of fear of the mystery, I believe.
And what shamans are, I believe, are people who have been able to decondition
themselves from the community's instinctual distrust of the mystery, and
to go into it, to go into this bewildering higher dimension, and gain knowledge,
recover the jewel lost at the beginning of time, to save souls, cure, commune
with the ancestors and so forth and so on.
Shamanism is not a religion, it's a set of techniques,
and the principal Technique is the use of psychedelic plants. What psychedelics
do is they
dissolve
boundaries, and in the presence of dissolved boundaries, one cannot
continue to close one's eyes to the ruination of the earth, the poisoning
of the seas, and the consequences of two thousand years of unchallenged
dominator culture, based on monotheism, hatred of nature, suppression
of the female, and so forth and so on. So, what shamans have to do is act
as exemplars, by making this cosmic journey to the domain of the
Gaian
ideas, and then bringing them back in the form of art to the struggle to
save the world. The planet has a kind of intelligence, that it can actually
open a channel of communication with an individual human being. The message
that nature sends is, transform your language through a
synergy
between electronic culture and the psychedelic
imagination,
a synergy between dance and idea, a synergy between understanding and intuition,
and dissolve the boundaries that your culture has sanctioned between you,
to become part of this Gaian supermind, I mean I think it's fairly profound,
it's fairly apocalyptic.
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History is ending. I mean,
we are to be the generation that witnesses the revelation of the purpose
of the cosmos. History is the shock wave of the
eschaton.
History is the shock wave of eschatology, and what this means for those
of us who will live through this transition into
hyperspace,
is that we will be privileged to see the greatest release of compressed
change probably since the birth of the universe. The twentieth century
is the shudder that announces the approaching cataracts of time over which
our species and the destiny of this planet is about to be swept.
If the truth can be told
so as to be understood, it will be believed.
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The emphasis in house music and rave culture on physiologically
compatible rhythms and this sort of thing is really the rediscovery of the art
of natural
magic
with sound, that sound, properly understood, especially percussive sound, can
actually change neurological states, and large groups of people getting together
in the presence of this kind of music are creating a telepathic community of
bonding that hopefully will be strong enough that it can carry the vision out
into the mainstream of society. I think that the
youth
culture that is emerging in the nineties is an end of the millenium culture
that is actually summing up Western civilization and pointing us in an entirely
different direction, that we're going to arrive in the third millenium, in the
middle of an
archaic
revival, which will mean a revival of these physiologically empowering rhythm
signatures, a new art, a new social vision, a new relationship to nature, to
feminism,
to ego. All of these things are taking hold, and not a moment too soon.
604 release _Re: Evolution_ compilation CDx2 on Flying Rhino (1999)
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CD 1
CD 2
1.02'12" Boom Devil - _Lonesome_ MP3
2.02'52" Boom Devil - _Morph 001_ MP3
3.10'15" Blue Planet Corporation - _Micromega
(Jarrod & Gilbeys Corixa
Dub)_
MP3 (192k)
4.07'50" Blue Planet Corporation - _Cyclothymic_
MP3
5.07'22" Atmos - _Klein Aber Doctor (Cass v The
Parasomniacs Remix)_ MP3
6.10'31" Slide - _Confusional State (Danny Howells
Squelch Mix)_ MP3 (160k)
7.07'59" Cass Vs The Parasomniacs - _Mephistos
Child_
8.06'09" Stoop & Fidget -
_Loop
& Digit_ MP3
9.06'34" Slinky Wizard - _License To Slink_ MP3
10.07'07" Bumbling Loons - _Rumbling Toon (Evolution
Mix)_ MP3 (192k)
11.07'15" Blue Planet Corporation - _Micromega (Slipstream
Original Mix)_ MP3 (160k)
604
track _Atomic
Powwow_
MP3
by Space Tribe off of _Sonic
Mandala_
on Spirit Zone (1996)
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In a way, the theory of evolution,
which was born in the 1850s, was the beginning of the turning of the tide because
even though the first 100 years of evolutionary theory was fantastically concerned
to eliminate teleology, eliminate purpose, nevertheless nobody ever understood
that except the hardcore evolutionists. To everyone else, evolution meant ascent
to higher form. I once heard someone say "if it doesn't have to do with genes,
it ain't evolution." Well, that's a tremendously limited view of what evolution
is. The inorganic world is evolving, the organic world is evolving and there
the currency is genes but also the social and intellectual world of human beings
is evolving and there the currency is not genes but
memes
so that idea carries with it the implication of ascent to higher form and correctly
broadened and understood becomes permission to optimism and to the kind of hope
that these folks were trying to articulate.
-
Terence
McKenna lecture on
Alchemy
"Evolution did not come to a reverent
halt with homosapiens. An evolutionary step that involves biologic alteration
is irreversible. And it better be good, better than drugs or religion." -
William
Burroughs
One idea with which Lee Smolin is associated is "natural
selection" of universes. He's saying that in some sense the universes that allow
complexity and evolution reproduce themselves more efficiently than other universes.
The ensemble itself is thus evolving in some complicated way. When stars die,
they sometimes form
black
holes. Smolin speculates — as others, like Alan Guth, have also
done — that inside a black hole it's possible for a small region to, as it were,
sprout into a new universe. We don't see it, but it inflates into some new
dimension.
Smolin takes that idea on board, but then introduces another conjecture, which
is that the laws of nature in the new universe are related to those in the previous
universe. This differs from Andrei Linde's idea of a random ensemble, because
Smolin supposes that the new universe retains physical laws not too different
from its parent universe. What that would mean is that universes big and complex
enough to allow stars to form, evolve, and die, and which can therefore produce
lots of black holes, would have more progeny, because each black hole can then
lead to a new universe; whereas a universe that didn't allow stars and black
holes to form would have no progeny. Therefore Smolin claims that the ensemble
of universes may evolve not randomly but by some Darwinian selection, in favor
of the potentially complex universes.
Think of the tremendous labor of all living forms to have finally arrived at you, the ultimate child of the planet. They did their work; now you do yours! Plunge into the work of living as surprise become aware of itself. You are the essence of surprise, the heart and core of play. Show yourself as truly as you can, and you will in that moment shine with the freedom and frolic and fecundity of creative play.
- _The Universe Is A
Green
Dragon_
by
Brian Swimme
