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James Joyce
This nOde last updated February
20th, 2005 and is permanently morphing...
(3 Cauac (Storm
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Joyce, James
Joyce (jois), James
1882-1941
Irish writer whose literary innovations have had
a profound influence on modern fiction. His works include
_Ulysses_
(1922) and Finnegans Wake (1939).
- Joyc´ean (joi´sê-en) adjective
Jesus Christ
He comes into the world God knows how, walks on
the
water,
gets out of his grave and goes up off the Hill of Howth. What drivel is
this?
James Joyce (1882-1941), Irish author. Stephen
Daedalus, in Stephen Hero, ch. 21 (1944; rev. 1975).
James Joyce
In Ireland they try to make a cat cleanly by rubbing
its nose in its own filth. Mr. Joyce has tried the same treatment on the
human subject. I hope it may prove successful.
George Bernard Shaw (1856-1950), Anglo-Irish playwright,
critic. Letter, 10 Oct. 1921, to Joyce's publisher (published in Letters
of James Joyce, vol. 3, 1966). Shaw, commenting on Ulysses, called it a
"revolting record of a disgusting phase of civilisation; but it is a truthful
one," though he refused the invitation to purchase a copy. In The Table
Talk of G.B.S., Shaw wrote, "I could not write the words Mr. Joyce uses:
my prudish hands would refuse to form the letters."
The Church
There is no
heresy
or no philosophy which is so abhorrent to the church as a human being.
James Joyce (1882-1941), Irish author. Letter,
22 Nov. 1902, in which Joyce declared his
intention
of leaving Ireland for good; from a private collection (an inaccurate text,
taken from a typescript of this letter, is printed in Letters of James
Joyce, vol. 1, 1957).
Buddhism
Our civilization, bequeathed to us by fierce adventurers,
eaters of meat and hunters, is so full of hurry and combat, so busy about
many things which perhaps are of no importance, that it cannot but see
something feeble in a civilization which smiles as it refuses to make the
battlefield the test of excellence.
James Joyce (1882-1941), Irish author. "A Suave
Philosophy," in Daily Express (Dublin, 6 Feb. 1903; repr. in Critical Writings,
sct. 12, ed. by Ellsworth Mason and Richard Ellmann, 1959), reviewing H.
Fielding Hall's The Soul of a People (on Burmese society and Buddhism).
Ireland and the Irish
When the soul of a man is born in this country
there are nets flung at it to hold it back from flight. You talk to me
of nationality, language, religion. I shall try to fly by those nets.
James Joyce (1882-1941), Irish author. Stephen
Dedalus, in A Portrait of the Artist as a Young Man, ch. 5 (1916).
Artists
The artist, like the God of creation, remains within
or behind or beyond or above his handiwork, invisible, refined out of existence,
indifferent, paring his fingernails.
James Joyce (1882-1941), Irish author. Stephen Dedalus,
in A Portrait of the Artist as a Young Man, ch. 5 (1916).
"So the pun on names is also a pun about existence and the pun is Joyce's stock in trade ...the pun, verbal emblem of coincidence ... makes all the quirky particles of the world stick to each other by hook or by crook."
- Richard Ellmann - _The Consciousness of Joyce_
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the breaking up of tradition, which is the work of the modern era, discountenances the absolute and . . . no writer can escape the spirit of his time.
-- James Joyce, 1903
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James Joyce, echoing Vico, once told Frank Budgen that
"
imagination
was
memory"
(Myselves 187), and a remarkable number of those who have written their own
reminiscences of Joyce describe his "marvellous" or "prodigious"
memory. Frank Budgen once told Clive Hart that Joyce "prized memory above
all other human faculties" (Structure 53), and Sylvia Beach recalled that
Joyce had consciously developed his own powers of memory, once keeping himself
amused while recovering from painful eye surgery by memorizing "The Lady
of the Lake." Joyce, she explained, had practiced such "memory exercises"
since his "early
youth,"
which "accounted for a memory that retained everything he had ever heard.
Everything stuck in it, he said". Joyce's friend Jacques Mercanton claimed
that: "Joyce's company forced me to train my memory: he expected people
to recall things precisely, and in detail" (206). Joyce spent his life
recalling, re-imagining, and revising his memories of Dublin. "The daughters
of memory," Richard Ellmann says, "received regular employment from
Joyce. . . . He was never a creator ex nihilo; he recomposed what he remembered,
and he remembered most of what he had seen or had heard other people remember"
(JJII 364-5).
"mama matrix most mysterious" - _Finnegans Wake_
authored:
"There are many good literary studies of Joyce, but the
best introduction to _Finnegans Wake_ is probably Dr. Stanislaus Grof's _Realms
of the Human Unconscious_, a study of the head spaces experienced under
LSD.
In particular, Grof's term 'coex systems' should be understood by everybody
who writes about Joyce or tries to read him. A 'coex system' is a condensed
experience montage, E.G., you are reexperiencing the birth
process,
remembering prebirth interuterine events, reliving ancestral or archaelogical
crises of people/animals from whom you are descended, seeing the subatomic energy
whorl from which Form appears, previsioning the Superhumanity of the future,
and suffering horrible guilt over your unkindness to another child when you
were four years old... all at once!
"Critics have tried to explain _Finnegans Wake_ by means
of Freud and
Jung,
but Joyce was a
quantum
jump ahead of the psychology of his time. Everything in _Finnegans Wake_
is a coex system in Grof's sense. We can only understand it in terms of
the latest findings in neurology, genetics, sociobiology and exopsychology.
To learn to read _Finnegans Wake_ with easy and pleasure is to learn to think
with your whole brain, 'conscious' and 'unconscious' circuits included,
in holistic coex systems."
-
Robert
Anton Wilson - _The
Illuminati
Papers_
_Finnegans Wake_ by James Joyce - p. 293
I asked the spirits to show me
Shakespeare.
They said, "okay" (they are not always so accomodating). He was a
magical
being of great size and power, made of energy. There were a million spirits
in the form of fizzy colored
lights
dancing
around him, like tiny
Japanese
lanterns or candleflames, helping him as he wrote, his pen scrawling across
the
quantum
Void. James Joyce was there as well - he was like a little pendant resting on
Shakespeare's desk. I recognized that part of the artist's spirit went directly
into their creations. Their spiritual power depended on the earthbound public's
continued desire for their work. That is the deeper meaning of the artist's
quest
for
immortality.
- Daniel Pinchback - _Breaking Open The Head_ (online version)
first mention of James Joyce in Usenet:
From: ihuxl!jej (ihuxl!jej)
Subject: I'm In With the
In Crowd...
Newsgroups: fa.unix-wizards
Date: 1981-08-23 17:28:29
PST
Subject: Cybercrud Part Two?
Ted Nelson, in his book *Computer Lib*, spends considerable time (and rightly so) blasting those people who design hard-to-use systems; the most notable example of this is Obscenity System/3[67]0 (my term, not his). *Computer Lib* came out when Unix was doing the same, so he had only a short blurb about it, but therein he praised it. He did the same in *The Home Computer Revolution*.
That too was proper; Unix
is indeed a powerful tool and one that encourages tool-making by its users.
It would certainly be a shame if a priesthood of
hackers
developed around Unix with the same point of view as the author of the
"Unix is not for sissies" crack.
Tool developers seem to forget whether terms are common English, from common use in the aisle where they work, or from their own heads--James Joyce may have gotten away with the latter in *Finnegan's Wake*, but supposedly documentation of programs has different ends. What is one to make of "...on some other systems, [the offset fseek(3S) returns] is a magic cookie..."
?
James Jones (ihuxl!jej)