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Psychedelic
This nOde
last updated January 20th, 2004 and is permanently morphing...
(9 Ik (Wind) / 10 (Muan (Owl)
- 22/260 - 12.19.10.17.2)

psychedelic
psychedelic (sì´kî-dèl´îk)
adjective
Of, characterized by, or
generating hallucinations, distortions of
perception,
altered
states of awareness, and occasionally states resembling psychosis.
noun
A drug, such as
LSD
or mescaline, that produces such effects.
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[PSYCHE + Greek dêloun,
to make visible (from dêlos, clear, visible) + -IC.]
- psy´chedel´ically
adverb
Drugs
Which is better: to have
Fun with Fungi or to have Idiocy with Ideology, to have Wars because of
Words, to have Tomorrow's Misdeeds out of Yesterday's Miscreeds?
Aldous
Huxley (1894-1963), British author. "Culture and the Individual," in
Moksha:
Writings on Psychedelics and the Visionary Experience (1931-1963) (ed. by Horowitz
and Palmer, 1977).
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Horowitz and Palmer are the parents of
Winona
Ryder.
"To fathom or soar angelic, you'll need a pinch of psychedelic." - Humphrey Osmond, who coined the term "psychedelic" with this phrase.
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The terminology used to describe
the LSD experience in the scientific literature did not sit well with Humphrey
Osmond. Words like 'hallucination' and 'psychosis' were loaded; they implied
negative states of mind. The psychiatric jargon reflected a pathological
orientation, whereas a truly objective science would not impose value judgments
on chemicals that produced unusual or
altered
states of consciousness.
Aldous
Huxley also felt that the
language
of pathology was inadequate. He and Osmond agreed that a new word had to
be invented to encompass the full range of effects of these drugs.
The two men had been close friends ever since Huxley's initial mescaline experience, and they carried on a lively correspondence. At first Huxley proposed the word phanerothyme, which derived from roots relating to "spirit" or "soul." A letter to Osmond included the following couplet:
To make this trivial world sublime,
Take half a Gramme of phanerothyme.
To which Osmond responded:
"To fathom hell or soar angelic
Just take a pinch of psychedelic."
People say, "Where then do psychedelic
drugs fit into all of this?" or "Do they fit into it?" Of course they fit into
it, because the felt presence of experience -- the reclaiming of the body --
that's the critical political battleground. Your mind is now your own, in some
sense. It was a mistake; it wasn't supposed to happen that way. But the acceleration
of psychedelic use in the Twentieth Century, the explosive spread of the
Internet...
in some sense it's as though we have broken from the slave's quarters and are
already milling in the streets. But we don't yet have the power or the understanding
to know where the centers of power are, and how it is that they disempower and
manipulate us. That's because we haven't
focused
on the body. (This is, I suppose, the thing which gives the Eros thing cogency.)
-
Terence
McKenna - _Live at Wetlands Preserve, NYC July 28, 1998_
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As a culture, we like to laugh at
primitive tribes - for example, those who are shown photographs of themselves
and cannot recognize them. But Alexander Marshak (in _The Roots of Civilization_)
tells us that in 1876 a French scientist fell by accident into one of the paleolithic
caves. Later, in his diary, he wrote that there seemed to be some scribbles
on the wall. He could not see that it was
art, he was just as blind as the pygmy who is blind to the photograph. Suddenly,
a few decades later, people could see it as art. What allowed T. S. Eliot to
say that ever since Lascaux, Western art had taken "a tumble down the staircase"?
(dégringolade, a lovely word!). What allowed Picasso suddenly to see
African masks, the French expressionists to see
Japanese
art, the hippies in the '60s to hear Indian music?
For the British colonialists in India, this music
was like "the whining of the mosquitoes - how can they stand it?" The Brits
could not hear it as music. My parents' generation could never hear Indian
music as music: "What's that buzzing noise? Are you kids stoned again?"
That is what I call a paradigm shift of cognition. At the very moment when
entheogenesis - that is, the birth of the Divine Within - reappears in
the West, with the late Romantics as a subculture, as 'occult history,'
the conditions were being set up for this paradigm shift, which we are
still basically undergoing. The only thing that could even pretend to suppress
this shift of consciousness would be the Law, as in the War on Drugs. But
our law is a machine law, a gridwork, clockwork law, and it is obviously
unable to contain the fluidity of the organic. That is why the
War
On Drugs will never ever work. You might as well declare war on every
plant, every weed in the ditch. So public discourse is approaching breakdown
over the question of consciousness.
-
Peter
Lamborn Wilson - _The Neurospace_
track _How To Operate Your Brain_
MP3
by
Timothy
Leary and
Genesis
P. Orridge
samples:
...
we're dealing with a complexity of in-formation... the first thing to do is
to overwhelm your focused mind, your linear mind, by overloading signals, ![]() |
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604 release _Forever Psychedelic_ compilation 12"x3
on Matsuri Productions (1998)
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604 release _Psychedelic Electronica - Psychic Deli Volume
2_ compilation 12"x3
on Psychic Deli
604 release _Psychedelic Vibes 3_ compilation
604 release _Psychedelic
Voodoo_
compilation MixCDx2
CD1 - Night
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604 release _Psy
Force_
by Star Sounds Orchestra on Spirit Zone (1997)
Ego-enhancing alcoholic beverages
gradually replaced
ego-dissolving
psychedelic plants as celebratory intoxicants, and the nature of religious ideation
correspondingly shifted from the
archetype
of the benign Mother Goddess to that of the cruel, angry, jealous and war-loving
male deity.
Still another nondenominational
yet transcendental usage seen for psychedelics is as a tool of hyper-ratiocinative
perception,
a means to deconstruct media charades and help the intellect to cope with ambiguity
and uncertainty, according to Erik Davis, author of _Techgnosis: Myth,
Magic
+ Mysticism in the Age of
Information_
(Three Rivers Press). "I wouldn't necessarily want to trip in the aftermath
of September 11," concedes Davis, "but I can now use my psychedelic training
for coping with the epistemological cyclone of a cataclysm such as this. I grew
up in the cushiest
reality
in the history of the planet. Now I see demons pouring over the lip of my existence,
but I've learned through psychedelics how to breathe through it and not believe
its story."
But what does "psychedelic culture"
mean today? What are its boundaries? In many ways you can look at the mainstream
world and say that psychedelics won. If you look at advertising, if you look
at MTV, if you look at computer graphics, if you look at a lot of things inside
of the emerging cybersphere, you will find traces and sometimes overt quotations
of psychedelic experience and psychedelic culture. I’m sure if you took some
of the advertisements you see today for soda pop and international financial
institutions back to 1967, they’d say, "Wow, that’s a blast!" If we ever know
– and I do hope someday we know – the exact extent of psychedelic influence
on the computer industry, I suspect we’d be amazed, not to mention vindicated.
For obvious reasons, though, the story remains untold. I was talking to Lawrence
Hagerty [author of _The Spirit of the Internet: Speculations on the
Evolution
of Global Consciousness_] who noted that Sun Microsystems is beating the pants
off some of the other
digital
monsters out there, and Sun is one major corporation out there that doesn’t
do drug testing. Very interesting.
Clearly the ideas and experiences of this culture are trickling out, producing all sorts of influences that are hard to trace. But how do we characterize that relationship? How are psychedelic experiences and psychedelic thinking engaging with our strange new century?
- Erik Davis - _Psychedelic Culture: One Or Many?_
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pOrtals:
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Multidisciplinary
Association for Psychedelic Studies
Lycaeum

