
underworld
underworld (ùn´der-wûrld´)
noun
1. The part of society that
is engaged in and organized for the purpose of crime and vice.
2. A region, realm, or dwelling
place conceived to be below the surface of the earth.
3. The opposite side of
the earth; the antipodes.
4. Greek & Roman Mythology.
The world of the dead, located below the world of the living; Hades.
5. Archaic. The world beneath
the heavens; the earth.
underworld (noun)
depth: caisson disease, the
bends, underworld, bottomless pit, hell
the dead: world of spirits,
underworld, netherworld, Sheol
lower classes: demimonde,
underworld, low company, low life
offender: criminal world,
underworld, Mafia, wickedness
wickedness: low life, criminal
world, underworld, demimonde
hell: hell, place of the
dead, lower world, nether world, nether regions, infernal regions, underworld
Sigmund Freud
Freud was a hero. He descended to the "Underworld"
and met there stark terrors. He carried with him his theory as a Medusa's
head which turned these terrors to stone.
R.
D. Laing (1927-89), British psychiatrist. The Divided Self, pt. 1,
ch. 1 (1959).
The
Mayas,
Aztecs, and
Incas
all believed that the universe was composed of the heavens, the earth's surface,
and an underworld. The earth's surface was divided into four quadrants. Each
of the three peoples claimed to inhabit the center of the universe, where the
earthly and
supernatural
realms came together. Pre-Columbian religious leaders were essentially
shamans,
people who were believed to be capable of moving back and forth between the
earthly and supernatural realms. Many Maya, Aztec, and Incan deities were derived
from astronomical observations. Just as the heavenly bodies move and replace
each other in specific sectors of the sky, a number of major pre-Columbian deities
had shifting, overlapping identities.
Maya Religion
The Mayas believed that the universe
had been, and would continue to be, created and destroyed multiple times, and
that each such cycle lasted somewhat longer than 5000 years. By their estimate,
the current universe would be destroyed in the equivalent of the year AD
2012.
The Mayas conceived of the earth as the back of a giant alligatorlike reptile
floating in a pool. Above the earth was a heaven with 13 levels. Below the earth
was an underworld with 9 levels. The entire universe was linked by a
green
ceiba
tree that stood at the center of the world, its branches extending into the
heavens and its roots into the underworld.
The Maya pantheon (family of gods) included a host of gods and goddesses. The rain god Chac, for example, was actually a composite of four different Chacs of different colors who lived at the corners of the world. Furthermore, every deity of the heavens had a counterpart in the underworld and vice versa.
For the Mayas, religious leadership was the responsibility of the kings and nobles. One of the rulers' principal duties was to determine proper courses of action by communicating with ancestors and the gods in visionary trances. Self-mutilation for the purpose of shedding blood was a central element of vision-seeking rituals. The loss of blood helped to bring on hallucinations, and the shed blood was offered as a sacrifice to the gods.
The prospect of the afterlife for Mayas was wretched. After death souls descended into the underworld, a cold, damp, foul-smelling region ruled by cruel and fearsome deities.
Aztec Religion
Like the Mayas, the Aztecs believed in multiple creations and destructions of the universe, but with important differences. Most notably, the Aztecs thought they were living in the fifth and final cycle of creation, the so-called Fifth Sun. At the end of this cycle everything would be swallowed by eternal darkness, and there would be no Sixth Sun. The Aztecs believed they could keep the sun strong by nourishing him with a source of vital energy: human blood, preferably the vigorous blood of warriors captured in battle. To the Aztecs, unceasing warfare and human sacrifice were sacred duties upon which the preservation of the universe depended.
The Aztecs believed the earth was
divided into quadrants. The four quarters met in Tenochtitlán, the Aztec
capital. This temple was also the point where
supernatural
forces from the heavens and the underworld came together. The heavens were composed
of 13 ascending levels. The
sun,
the
moon,
the planets, and the stars traveled through the lower levels. The upper levels
were the homes of winds, storms, colors, and remote gods. The underworld contained
nine levels, all descending, unpleasant, and dangerous.
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The Aztecs believed in a
pantheon of shifting and overlapping gods and goddesses. Some were combinations
of heroes and gods from the Mesoamerican historical and mythological pasts.
Examples of these god-hero combinations included
Quetzalcoatl
and Tezcatlipoca, the creators of the fifth universe.
The ultimate destiny of most Aztecs depended on the manner of their deaths, not on their positions in life. The souls of most dead Aztecs were thought to enter the underworld and start on a difficult downward journey to the lowest level, where they dwelled in eternal darkness and oblivion.
Incan
Religion
The Incas emphasized the
arrangement of space into a sacred geography. A crucial aspect of this
sacred geography was the concept of huaca. This term referred to any person,
place, or thing with
supernatural
power; almost anything unusual was considered a huaca, including prominent
features of the landscape, oddly shaped or colored pebbles, and plants.
Cuzco, the Incas' capital, was the center of their universe. Most of the
important huacas in the area around Cuzco were conceived of as lying along
lines that radiated from Cuzco. The Incas also saw the earth as being composed
of four quarters, whose dividing lines intersected in Cuzco. Like the earth,
the heavens were divided into quadrants. The movement of astronomical bodies
through the four quadrants determined the Incan agricultural and ceremonial
calendars.
The upper pantheon of Incan gods
and goddesses contained a creator-sky-weather complex with three principal components:
Viracocha,
the creator; Inti, the sun god and ancestor of the ruling dynasty; and Illapa,
the thunder or weather god. The core of Incan religion was ancestor worship.
The Incan ruler and the mummies of his predecessors were the most important
religious leaders. An elaborate ritual life surrounded the mummies of deceased
rulers, who were treated as if they were still alive. They were maintained in
state in their palaces, and they continued to own the property they had accumulated
during their lifetimes. The Incas were strongly moralistic, and they believed
the souls of virtuous people joined the sun in heaven. The souls of evildoers
went to the underworld, a cold and barren place where there was nothing to eat
but stones.
The
Long
Count end date on December 21st,
2012
A.D. highlights an astronomical alignment determined by
precession.
The alignment occurs when the winter solstice
sun
conjuncts the crossing point of
Milky
Way and ecliptic in Sagittarius. This crossing point is where the "dark
rift" in the Milky Way is, which was known to the ancient
Maya
as xibalba be (the Road to the Underworld) or simply "the Black Road."
Linda Schele identifies the nearby crossing point of Milky Way and ecliptic
as the Mayan Sacred Tree, and the modern Quiche call that spot "Crossroads."
- John Major Jenkins - _From The Center Of Mayan
Time_
The southwest's most intriguing
natives, the
Hopi,
have always claimed that their sipapu (place of emergence from the underworld)
is in the
Grand
Canyon. They say their ancestors went underground to live with "the
ant people" when the great flood wiped out the last world. Later, they
emerged through the sipapu to begin their lives and migrations in the present
world. The many circular
kivas
found in
Anasazi
ruins are said to be symbolic of this emergence, i.e. underground ceremonial
chambers with a roof entrance/exit, still called the sipapu.
In Rumania, offerings are made on
April 7 to the spirits of the
water
and the underworld. Though hidden, they apparently are deemed beneficent
if given their proper due: They go by the name of Blajini, or "
kindly
ones."
The
shamanic
cosmos consists of three worlds: this world, the earthly realm; the underworld,
populated by ancestral spirits and demons; and the upper world, where gods and
celestial beings dwell. This cosmos is usually represented by the symbol of
the World Tree; the underworld in its roots, the celestial realms in its branches,
and this world where the trunk meets the ground. During hir initiatory sickness,
the shaman's soul travels down into the underworld, and is torn apart by spirits.
The mutilated pieces of the shaman's body are then brought back together, usually
in a large cauldron, or in a blacksmith's furnace. Often an extra organ or magical
stone is included in the body as it is re-forged. This is followed by an ascent
into the celestial realms, where the shaman meets the tribes' gods. SHe then
returns to this world, healed (often hir body has been lying prone, unconscious,
in a tent or hut for several days while hir soul
voyaged
to the underworld). It is the fact that the shaman has healed hirself, through
hir
ecstatic
journeys to the other worlds, that grants hir the power to heal others (one
of the many social functions of the shaman). In healing others, the shaman induces
in hirself an ecstatic
trance,
through
drumming,
dancing
or
hallucinogenic
plants, which enables hir to journey again to the underworld, to battle with
the spirits that have caused the illness, and to recover the client's lost soul.
The shaman also uses hir powers for divination, finding lost objects (or people),
and for conducting the souls of the recently deceased to their place in the
underworld.
McKenna chuckles. "The best answer I've gotten yet is out of Don DeLillo's _Underworld_, where the nun discovers that when you die you become your Web site."
-
Terence
McKenna's Last Trip by Erik Davis
entity Underworld
Underworld is the name of an electronic band popular during
the 1990s. It emerged from the ashes of the electropop group Freur in the early
1980s,
ventured briefly into electro-rock-funk in the late 1980s, and has produced
danceable electronic music since then.
Probably best known for their 1996 hit "Born Slippy",
featured in the movie _Trainspotting_, Underworld is comprised of Karl Hyde,
Rick Smith and, up until 2001, DJ Darren Emerson. The duo were also known by
the names Lemon Interrupt and Stepin' Razor before joining with Darren for the
first time, when they remixed such varying acts as
Shakespeare's
Sister, St Etienne and Simply Red.
The addition of Emerson completed Underworld's
dance/rock
fusion
and seemed to moderate some of hardfloor elements in the original duo's work.
Their first album, dubnobasswithmyheadman, was considered more accessible than
the group's earlier material and crossed a large spectrum of dance music. The
signature Hyde lyrics were in place: poetic, hypnotic and whispered; mixing
conventional songwriting with the use of found material from overheard conversations,
answerphone recordings and the like. Hyde had been the lead singer in Underworld
Mk. I but the original Hyde/Smith dance material was lyric free as was most
of the electronic music emerging from the aftermath of
Acid
House.
After the release of Beaucoup Fish Hyde declared in his interviews that he had sorted out earlier problems with alcoholism but all the members admitted that the sessions had been fraught problems, with the individual members working in their own studios and only communicating via mixes of the raw material passed back and forth on DAT. After the release of the album a large number of mixes of the album tracks seemed to surface on singles, magazine promotional CDs and similar ephemeral formats perhaps indicating the number of revisions the tracks had gone through to get to point where they were acceptable to all three.
Despite these problems, Underworld embarked on a spirited and well-received tour which resulted in a live CD and DVD drawn from several dates on the tour. Called Everything, everything, the project was said to capture the live Underworld very faithfully.
After the release and promotion of Everything, everything
Emerson decide to leave Underworld to
focus
on his solo projects and record label. Hyde and Smith decided to continue, once
again, as a duo. They dubbed the project Underworld Mk. III and recorded a new
album, A Hundred Days Off, which was released to general approval.
This band has been regarded by some as one of the pioneers of the modern electronic movement.
Albums:
As Freur:
* Doot Doot
* Get Us Out Of Here
As Underworld (mark I, funk rock):
* Underneath The Radar
* Change The Weather
As Underworld (mark II, electronic):
* Dubnobasswithmyheadman
* Second Toughest In The Infants
* Beacoup Fish
* Everything, Everything (live)
* A Hundred Days Off
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Waveforms:
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i'm invisible...
and a razor of love...
why doncha call me? i feel like
flying
in too...
i'm invisible...
and a razor of love...
why doncha call me? i feel like flying in too...
and a razor of love...
i scream
i scream
i scream so much
you know what i mean
this
electric
stream
and my tears
in league with the
wires
and energy
and my machine
this is my beautiful
dream
i'm-a
hurting
no one
hurting
no one
hurting
no one
hurting
no one
i wanna give you everything
you energy
a good thing
you everything
everythingeverythingeverythingeverything...
one final scream
of love
who couldn't climb
this high
she looks beautiful like
a child
a fuel of tears
and i wanna scream
you know what i mean
this is hurting no one
and a razor of love
why doncha call me? i feel like flying in too...
and a razor of love...
formerly known as Freur
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