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William Gibson
This nOde
last updated January 20th, 2004 and is permanently morphing...
(9 Ik (Wind) / 10 (Muan (Owl)
- 22/260 - 12.19.10.17.2)

born 1948 William Ford Gibson
height: 6'6"
residence: Vancouver, B.C. Canada (area code
604)
"The future has arrived; it's just not evenly distributed."
"
Ether,
having once failed as a concept, is in the
process
of being reinvented.
Information
is the ultimate mediational ether"
coined the term "cyberspace" which he defined as a surf-able 3-D representation of all the computer data in the world. (For Gibson, this "consensual hallucination" primarily concerns the transactions of multinational capital.)
"A consensual hallucination experienced
daily by billions of legitimate operators,
in every nation, by children being taught
mathematical concepts... A graphic representation
of data abstracted from
the banks of every computer in the
human system. Unthinkable complexity.
Lines of
light
ranged in the nonspace of the mind, clusters
and constellations of data. Like city lights,
receding..." (p. 51)
The millennium is just a christian holiday, but the peculiar spin that's been put on that is that, as a species, we have this other consciousness, that we're nearing some sort of cusp, something really big is changing.
I think that we're there. That causes us to experience
what literary theorist Frederick Jamison calls the 'Post-Modern Sublime' which
he says is characterized by the simultaneous apprehension of dread and ecstasy.
I think that Dread &
Ecstasy
R US -- that's really what I'm writing about. I get you to sit still for it
because I say, 'relax, it's the future; it's just the future; it's not happening
now,' but actually it is happening now.
Science
fiction is always written about the day in which it was written. When you
go back and read old SF, it's never about the future which you are living in
when you are reading it. They never get it right. and neither do I.
- William Gibson
Laney's probably a more conscious metaphor in that what
he does with the
nodal
points is sort of like what I see myself really doing in that part of my work
that some people regard as predictive. There are several places in these books
where Laney says: "Look, I can't predict the future. But I am sensitive to some
areas from which change is emerging." I think that's pretty much the best we
can do these days, because change is both exponential and in some weird, either
new or newly revealed way,
out
of control. You know, who's running the show? Well, nobody. That's why
conspiracy
theories are so popular. Conspiracy theories are big because they're comforting.
Any conspiracy is
infinitely
less multiplex than the
real
deal, which is sort of multiplex to the point of being unknowable.
- William Gibson
The otaku, the passionate obsessive, the
information
age's embodiment of the connoisseur, more concerned with the accumulation of
data than of objects, seems a natural crossover figure in today's
interface
of British and
Japanese
cultures. I see it in the eyes of the Portobello dealers, and in the eyes of
the Japanese collectors: a perfectly calm
train-spotter
frenzy, murderous and sublime. Understanding otaku-hood, I think, is one of
the keys to understanding the culture of the web. There is something profoundly
post-national about it, extra-geographic. We are all curators, in the post-modern
world, whether we want to be or not. - William Gibson
authored:
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